Slow Shutter, Fast Slalom; Girdwood (February 2020)

March 13, 2020  •  Leave a Comment

This is another temporary break from Portugal:  To stop race action and guarantee sharp images, I'm normally shooting at 1/2000th to 1/3200th of a second, depending on the event and ambient brightness (or darkness).  But for variety, and to emphasize the motion and flow of racing, I used much slower shutter speeds, 1/160th and 1/200th, for part of a recent slalom race for the U16s and U19s.  Results are mixed, since the probability of a sharp-enough image quickly drops with the shutter speed.  

 

But a slow shutter doesn't mean slow racing.  Here are representative results, some more successful than others.  Speed and motion are particularly obvious in the spray of snow off skis and the tips of slalom gates deflected by impacts with racers.
 

A92I1451-Edit-sharpen-stabilizeA92I1451-Edit-sharpen-stabilize
A92I2253-Edit-sharpen-stabilize-2A92I2253-Edit-sharpen-stabilize-2 A92I1504-Edit-Edit-sharpen-stabilizeA92I1504-Edit-Edit-sharpen-stabilize A92I2270-Edit-sharpen-stabilize-sharpen-stabilize-2A92I2270-Edit-sharpen-stabilize-sharpen-stabilize-2 A92I1385-EditA92I1385-Edit
A92I2258-Edit-2-sharpen-stabilizeA92I2258-Edit-2-sharpen-stabilize

A92I1044-Edit-sharpen-stabilizeA92I1044-Edit-sharpen-stabilize
A92I0916-Edit-sharpen-stabilizeA92I0916-Edit-sharpen-stabilize A92I0930A92I0930 A92I0950-Edit-sharpen-sharpenA92I0950-Edit-sharpen-sharpen A92I0980-Edit-2-sharpen-stabilizeA92I0980-Edit-2-sharpen-stabilize A92I1023A92I1023 A92I1033-EditA92I1033-Edit A92I2374-Edit-2A92I2374-Edit-2 A92I1296-Edit-sharpen-stabilizeA92I1296-Edit-sharpen-stabilize
A92I2358A92I2358 A92I1343-Edit-Edit-sharpen-stabilizeA92I1343-Edit-Edit-sharpen-stabilize
A92I2398-Edit-sharpen-stabilize-2A92I2398-Edit-sharpen-stabilize-2 A92I1395A92I1395


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After a lifetime of mainly expressing myself with words, my postings here will mainly rely on images.  They will speak for themselves to some extent, but I'll usually add a few comments of explanation.  I've taken photographs for decades, since the 1950's, inspired in part by my father's photographic skill.  Four years of photo assignments and quality darkroom time eventually gave way to decades of casual and family picture-taking.  I re-immersed myself when I left film and turned to digital.  

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