Maui - Sunsets (November 2019)

March 03, 2021  •  Leave a Comment

The daytime play of light and color and cloud really only open for Maui's main daily performance. On the stage of Maui's sky, sunsets are the ultimate productions, operatic dramas, Wagnerian light shows with the visual equivalents of all the instruments in a full orchestra. You can imagine a diva in full anguished cry as the dying sun and gathering clouds struggle, tympani and cymbals percussing, brass and strings in crescendo, until the sun expires with a last flourish. 

 

Even after it is no longer directly visible, the sun glimmers on, reluctant to let go, reflecting off clouds, underlighting a lingering mirage on the horizon, and throwing muted pastels overhead.

 

What more can there be?  Cue the moon, of course.

 

And if this drama is unconvincing, the show will repeat the next evening. And the next. 

 

High drama plays out quickly near the Equator. These images were taken over several days in Maui in November, 2019, from both water-side and Upcountry. Except for the last two, they were taken during an intense window only 25 minutes long each evening. The last two were taken only 30 and 35 minutes later. 

 

The sun often drops behind cloud layers as it approaches the horizon; only its reflection is visible off the ocean. EF4A5123EF4A5123 EF4A5127EF4A5127 EF4A5135EF4A5135 EF4A5139EF4A5139 EF4A5147EF4A5147 EF4A5155EF4A5155 EF4A5163EF4A5163

 

It eventually makes a direct appearance for the last act.

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It makes the most of its final moments.

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Even from below the horizon, the sun gives up reluctantly. EF4A2201EF4A2201 EF4A2211EF4A2211 EF4A3923EF4A3923 EF4A3924EF4A3924 EF4A4406-HDREF4A4406-HDR

 

Cue the Moon:

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After a lifetime of mainly expressing myself with words, my postings here will mainly rely on images.  They will speak for themselves to some extent, but I'll usually add a few comments of explanation.  I've taken photographs for decades, since the 1950's, inspired in part by my father's photographic skill.  Four years of photo assignments and quality darkroom time eventually gave way to decades of casual and family picture-taking.  I re-immersed myself when I left film and turned to digital.  

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