Alternative Universe; Waikiki 2016

August 28, 2017  •  Leave a Comment

Now for something a little different, after all the Halibut Cove posts.

 

Hawaii and Alaska seem to be polar (so to speak) opposites.   Even on a good day, most Alaskans wear more clothes than any Hawaiians wear on a bad day.   When we see steep driveways in Hawaii, we can't help but momentarily wonder - before reality catches up - how drivers climb them on a snowy day.  There are no snow shovels or studded tires in Hawaii.  Maybe no mittens.  No plowing services.  Tire chains are reserved for mud and sandy beaches.

 

But the differences aren't merely physical.  There seems to be a difference in attitude as well as atmosphere.  For Alaskans, Hawaii has always been a place of almost mythical ease and relaxation.  A place where you can stare at the ocean, wear short-sleeved shirts, or no shirts, where it is relaxing and comfortable to stand in the water.   And where your greatest worries are about applying the right amount of sun tan lotion, but not too much, and getting all the sand out of toes and swimwear.

 

Waikiki was the original beach magnet for Alaskans.  Easily accessible by the 1950s in a DC-7 or Boeing Stratocruiser.  Only about 12 vibrating hours of flying time from Anchorage or Juneau.   Things are even easier now, and it is easy for Alaskans to be on a sunny beach, looking prominently pale, only five hours after leaving the North.

 

These images look fondly at Waikiki with admiration and pleasure.

 

Fresh off the plane

 

There is a backstory, surely.

 

This might have been the only reader on Waikiki on a beautiful late afternoon.

 

 

Surfrider, collecting sand

 

Man with his dog

 

Dog (with his man, behind)

 

The unicorn takes a walk.  And natural selection is still a force in Waikiki.

 


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After a lifetime of mainly expressing myself with words, my postings here will mainly rely on images.  They will speak for themselves to some extent, but I'll usually add a few comments of explanation.  I've taken photographs for decades, since the 1950's, inspired in part by my father's photographic skill.  Four years of photo assignments and quality darkroom time eventually gave way to decades of casual and family picture-taking.  I re-immersed myself when I left film and turned to digital.  

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