Transitions; the In-Betweens of Ski Racing, Part Three; March, 2019

April 03, 2019  •  Leave a Comment

The transition is only a momentary state in a race run.  But the photos in the two prior posts, having frozen the action, might imply to some that transitions are static events.  The famous late 1960's photograph of Patrick Russell back on the tails of his skis in a slalom transition in Val Gardena likewise misled a lot of impressionable people, who thought avalement was an essential tool to be used at the end (thus, in the transition) of every turn, ideally in slow motion!  (And for non-race skiing in bumps it led to things like Wayne Wong's turns and the Slow Dog Noodle. Luckily we are beyond all that.)

 

Screen Shot 2019-04-02 at 4.56.09 PMScreen Shot 2019-04-02 at 4.56.09 PM

 

But to see what is really happening in transitions, and how fast it all happens, consider these sequences, mostly shot at 12 frames per second): 

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And in the last two images of Liam, he travels only a foot or so - at about 30 feet per second - entering and leaving the transition. 

   A92I7985A92I7985 A92I7986A92I7986 A92I7987-EnhancedA92I7987-Enhanced A92I6353A92I6353 A92I6351A92I6351 A92I6355A92I6355 A92I6352A92I6352 A92I6354A92I6354 A92I6356A92I6356 A92I6357A92I6357 A92I6358A92I6358 A92I6359A92I6359 A92I6360A92I6360 A92I6361A92I6361 A92I6362A92I6362 A92I6363A92I6363 A92I6364A92I6364 A92I6365A92I6365 A92I6366A92I6366 A92I6367A92I6367 A92I6368A92I6368 A92I6369A92I6369

 

 

The early gates in a flush are likely to require less aggressive edging and direction change than the last gate.

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After a lifetime of mainly expressing myself with words, my postings here will mainly rely on images.  They will speak for themselves to some extent, but I'll usually add a few comments of explanation.  I've taken photographs for decades, since the 1950's, inspired in part by my father's photographic skill.  Four years of photo assignments and quality darkroom time eventually gave way to decades of casual and family picture-taking.  I re-immersed myself when I left film and turned to digital.  

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